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  • The action-adventure film Baby: Secret of the Lost Legend features topless natives towards the beginning of the film, and several in the tribe that the protagonists befriend (in spite of its PG rating).
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    Although some strategically placed necklaces/scabbards often hide the females' breasts, there are several scenes where they are clearly displayed.

  • Although a fictional setting, applies to Avatar, where the Na'vi only wear a loincloth most of the time.
  • The flood of random nudity these films brought was influential in loosening the rules until these movies were all but forgotten afterward — although there are the occasional throwbacks, such as Nudist Colony of the Dead (1991) or Nudist Camp Zombie Massacre (2010).
  • 1950s- 1960s nudist "documentaries" such as Blaze Starr Goes Nudist or Garden of Eden take the subculture version of this.
  • Older books are even more extreme, with the female figure being extensively featured completely nude in a variety of dramatic poses, photographed from every angle with close-ups of breasts and buttocks, and the male figure being modeled by one or two gentlemen in inert standing poses, wearing some form of underwear and with their faces censored out.

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  • Many figure-drawing books that contain photographs of nude models will have about twice as many female models than male ones, whose breasts, buttocks, and pubic regions will be photographed in full view in extreme poses, sometimes to the point of cropping out arms, faces, and anything below the knees, but the models' bodies are all young, fit, and slim, while the male models are of varying ages and body types and posed modestly.
  • Then it shows, a century later, the natives in all-covering Victorian garb, and now they're the ones staring disapprovingly at the great-grandchildren of the white Victorian couple, who are parading around in swimsuits that bare their arms, legs, and midriffs.
  • Lampshaded, along with a hearty helping of Deliberate Values Dissonance, in a humorous postcard from the 1950s showing, first, a white couple in the Victorian era (a suit and hat for the man and a hoop-skirted dress for the woman) staring disapprovingly at a Native American couple wearing nothing but loincloths.
  • The trope originally concerned innocent and rather tame nudist documentaries when the nudists of the time successfully fought for the right to show nudity on the silver screen for nudist films under the justification that it wasn't sexual, filmmakers used the new loophole to make hundreds of B Movies using the setting to allow them to show flesh.

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    Almost all PG-13- or R-rated movies owe their ability to show any skin to old nudist films in this vein, such as Holiday in the Sun or Garden of Eden.

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    The Trope Namer is National Geographic Magazine, which sometimes shows topless women when running an article on tribal cultures where the women don't customarily cover their breasts. It just so happens that in the culture displayed, the women wear very little clothing or walk around topless.īut there's a part of you that can't help thinking the entire film is nothing but an excuse to have lots of people running around with few or no clothes on. Perhaps the film details this tribe's interactions with white folks, or takes place entirely before they arrive. But from this point onwards, the Kayapó as a community began to significantly place more importance in the preservation of the rainforest and have since continued to raise awareness about the destruction of the Amazon.So here's this highly acclaimed motion picture about a pre-industrial tribe and its customs. In the 1980s, the Kayap, prospered greatly through employing white outsiders to log species on their lands, yet this ended when logging on indigenous lands became outlawed. Anthropologists such as Bruce Parry, for example, have used their influence and role in the media to promote the voices of the Kayapó in their struggles for indigenous rights. However, outsider contact has also meant media and commercial influences. Taken from them were vast amounts of land and habitats, accompanied by the introduction of a number of diseases – previously uncommon – from the arrival of outsiders. With the initial arrival of the Europeans approximately 500 years ago, Portuguese colonisation encouraged the forced migration of various Kayapó communities further into the rainforest. Such interactions have not always had the best consequences. Although they are an indigenous tribe living in the Amazon, the Kayapó have a long history of interactions with outsiders.













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